|
debut
album featuring Harris Playfair, James Thomson, Jamie Young,
Laura Grime, Gillian Payne, Orren Karp, John Riley, Ryan
Playfair, Tamir Karp, Charles Dearness, Chuck Barton, Jo
Stark, Chris Payne & guest Neil Cuthbertson
See junctionpool.com
Review by Jack Foster
The aptly titled 'Big Wellie Set' opens
the album, a raging opener which manages to dance effortlessly
between a multitude of genres whilst still bearing the folk
(or folk/rock) standard, it's a Sunday afternoon in Sandy
Bells, it's a field full of hippies at a Peatbog Faeries
gig, it's radio city music hall, it's Wolfstone, it's...
Well, it's what happens when you bring together thirteen
of the brightest musical stars on the Scottish Borders music
scene and it flies in the face of those who say that folk
music is far from a progressive genre.
Harris Playfair's Piano & Keyboards
are the glue which holds the album together, though sometimes
contradicting all known laws of folk - the Jazz chords,
backed by the big band shouldn't work with traditional/traditional
style tunes, but they do - beautifully. Orren Karp is described
as Junction Pool's very own Jimi Hendrix, and he opens 'Funky
Whippets'. For the first minute it's funk through and through,
then a fiddle joins the party, and it's folk-funk fusion,
the brass comes in and it's jazz-folk-funk, back to funk
- and - back to folk - and then it truly is Hendrix at Woodstock.
My favourite track on the album though
is 'Kincardine Lads' - though that's because I'm a folkie
through and through, and a songster as opposed to a tunester
(not that I don't enjoy a good tune though). It's the closest
you'll get to a folk standard on the album, but it's still
very much Junction Pool.
As you can see, it's very difficult to
describe the Junction Pool sound, as each comparison contradicts
the last. Suffice to say - Junction Pool's sound is extremely
ecclectic, and a very succesfull fusion of genres (it has
to be heard to be believed). Great things surely beckon.
<< Back to REVIEWS
page
|